"Les Rencontres d’Arles 2025" Transforms the City Into a Style Destination This Summer

Arles once moved at the rhythm of stonecutters and shepherds. The city stood quietly between the Rhône River and the salt plains of the Camargue. It carried the weight of its Roman amphitheater, its churches, and its carved doorways faded by mistral winds. Time moved slowly. Then photography arrived.

In 1970, a group of visionaries launched Les Rencontres d’Arles. They opened up cloisters, train depots, and abandoned houses. They filled the city with images. Photographers came from across the world. They brought stories, arguments, and questions. The city listened. Each year, Arles shifted. The festival grew. It shaped a new identity.

Over fifty years later, Les Rencontres d’Arles 2025 continues to transform the city. What began as a photography event now moves across fashion, archive, and visual storytelling. Institutions launch new spaces. Luxury groups support emerging voices. Designers find inspiration in old stone and open light.

This summer, Arles becomes a destination for those who read images as culture. Fashion exhibitions, museum openings, and printed matter. Photography speaks through clothing, costume, and memory. What you wear becomes what you carry.

Below, we detail why the city deserves a place on every style-savvy itinerary.

Photographers Turn Fashion Into Language

Across Arles, garments become language. This year’s Les Rencontres d’Arles explores the body as witness.

🖼️ Futurs Ancestraux (Église des Trinitaires)
Traditional Brazilian bridalwear is reimagined through a contemporary lens. Fabric becomes a form of cultural continuity.

🖼️ Du magma dans l’océan (Maison des Peintres)
Costumes in Brandon Gercara’s work explore identity beyond binaries, with theatrical pieces and defiant gestures.

🖼️ Échos d’un futur proche by Caroline Monnet
Presented at Salle Henri Comte, this series shows First Nations women from Canada in a traditional and futuristic dress. A vision of resistance through aesthetic legacy.

🖼️ Alma / Les vêtements de maman by Keisha Scarville
Clothing as memory. Scarville photographs her late mother’s wardrobe, elevating textiles into a ritual.

🖼️ Elles obliquent, elles obstinent, elles tempêtent (Commanderie Sainte-Lucie)
Historic portraits of women labeled “deviant.” The wardrobe serves as both a tool of discipline and a mode of rebellion.

Les Rencontres d’Arles 2025