This exhibition at Galerie Eva Presenhuber showcases new works by British artist Liam Gillick, expanding on his original script for 'Mirrored Image: A Volvo Bar' with layered subplots and inversions. Drawing inspiration from Ben Jonson's 1609 play 'The Case Is Altered' and Inigo Jones's historical masques, the presentation includes pen-and-ink drawings, sculptures, and mirror works, inviting visitors to engage with themes of time, identity, and the complexities of post-industrial society. Gillick's practice thoughtfully reflects on the legacy of modernism and the aesthetics of economy and labor, offering a critical re-evaluation of contemporary production conditions.
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