Florence, a city renowned for its rich artistic heritage, has its own museum dedicated to the fascinating world of fashion. The Museum of Fashion and Costume at Palazzo Pitti is a testament to the city’s deep-rooted connection to style and elegance. This unique institution celebrates the evolution of fashion, haute couture, and costume from the 18th century to the present day.
After four years of renovation, the Museum at Palazzo Pitti is finally reopening its doors to the public, inviting us to take an exceptional journey through 400 years of style. The refreshed layout of the museum, housed in the elegant Palazzina della Meridiana, will transport you to an immersive and educational experience that captures the essence of fashion history.
Since its inauguration in 1983, the Museum of Fashion and Costume has dazzled visitors with its extensive collections. Now, with a completely new layout, the Palazzo Pitti Museum offers an anthology of rare and precious garments. Accompanied by a diverse range of accessories, including shoes, hats, fans, parasols, and bags, the collection features over 15,000 pieces. These will be exhibited in rotating displays, grouped by theme and period, offering fresh perspectives on the evolution of fashion with each visit.
Director Simone Verde and Curator Vanessa Gavioli have crafted a captivating dialogue between fashion and various forms of art, most notably painting. Visitors can marvel at the stunning garments alongside contemporary portraits and paintings, creating a vivid tableau that brings the fashion of the past to life. Artists like Carle Vanloo, Laurent Pecheux, Jean-Sébastien Rouillard, and Italian avant-garde masters like Massimo Campigli and Alberto Burri provide a rich context that deepens the appreciation of the fashion on display.
Palazzo Pitti Museum’s new design also explores fascinating connections between fashion and other art forms. The intricate parallels between the handles of porcelain vases and the sleeves of 18th-century dresses, or the relationship between a Mariano Fortuny dress worn by Eleonora Duse and her sculpted face by Arrigo Minerbi, are just a few examples of the museum’s innovative approach. The harmonious blend of fashion with the historic space, furnishings, and frescoes of the Palazzina della Meridiana creates an immersive experience that is both educational and enchanting.
Florence’s Palazzo Pitti Museum of Fashion and Costume is a treasure trove of fashion history, winding through 20 rooms that reveal iconic moments from the Belle Époque to the roaring 1920s, from Charles Frederick Worth’s wedding dresses to Catherine Donovan’s elite designs. Not to be missed are contemporary pieces like the two Gucci dresses donated and worn by Patty Pravo.
Simone Verde, the director of the Uffizi Galleries, describes the reopening as “the completion of a long journey of research and the dream of having an encyclopedic museum of the history of costume, to provide a quality public service.” This vision, first imagined by Kirsten Aschengreen Piacenti in 1983, has been fully realized, making the museum a beacon of fashion history.
Since closing in 2019 for its stunning makeover, the museum now features eight new rooms showcasing rare 18th and 19th-century garments. These join the twelve rooms inaugurated last December, creating a cohesive journey through fashion history. Highlights include Empire-style dresses, Restoration period attire, and Charles Frederick Worth’s exquisite wedding gowns. The Belle Époque is brought to life with Raphael Goudstikker’s luxurious evening dresses, while early 20th-century fashion is represented by Mariano Fortuny’s designs for Eleonora Duse and Jacques Doucet’s kimono house dress for Donna Franca Florio.
Curator Vanessa Gavioli has carefully crafted an itinerary through the museum’s extensive collection, ensuring that each visit reveals new treasures. The journey continues with the flamboyant dresses of Elsa Schiaparelli, Emilio Schubert’s creations for Gina Lollobrigida and Sophia Loren, Patty Pravo’s iconic Gucci models, Jean Paul Gaultier’s unforgettable black sheath for Madonna, and Gianfranco Ferré’s creations for Dior in the 1990s.
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