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    Hermès Maison Unveils a Marble Table, Hammered Metal, and Hand-Woven Cashmere  at La Pelota this Milan Design Week
    Haute Retail

    Hermès Maison Unveils a Marble Table, Hammered Metal, and Hand-Woven Cashmere at La Pelota this Milan Design Week

    April 25, 2026
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    Hermès Brings Three New Additions to Its Home Universe in Milan

    Hermès Maison returns to La Pelota, Via Palermo 10, Milan, every April, and this Milan Design Week delivered three new additions to the Hermès Home Collections. The Stadium d'Hermès table, imagined by British design duo Edward Barber and Jay Osgerby, features a figure-of-eight top in marble marquetry combining Carrara Venato and Verde Alpi, its legs carrying a two-tone Jumping motif rooted in the house's equestrian heritage. The Palladion d'Hermès introduces hammered palladium-plated metal objects, combining leather, horsehair, and cassia wood, named after Pallas Athena. New cashmere plaids, hand-woven in Nepal and assembled with needle embroidery, complete the collection.

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    Every April for the past fifteen years, La Pelota on Via Palermo has been the one address at Milan Design Week that everyone puts first on their list. Hermès Maison returns without fail, and without noise. This year, Artistic Directors Charlotte Macaux Perelman and Alexis Fabry transformed the cavernous former sports court into something resembling a city. Plaster and beechwood volumes arranged in a loose grid, carrying a single object each and surrounded by deliberate space. The emptiness was the argument. Three new pieces made it worth having.



    Hermès Maison Builds the Week's Most Talked-About Table

    The Stadium d'Hermès table is the piece everyone stopped at. Imagined by British design duo Edward Barber and Jay Osgerby. iIts figure-of-eight top reads from above like a racetrack or a show-jumping course. Made entirely in marble marquetry, Carrara Venato in fine grey and Verde Alpi in deep green. Its slim legs carry a two-tone Jumping motif that nods directly to the Maison's equestrian roots. The all-stone construction feels, against all logic, light. A loop of track frozen mid-race.


    Alongside the table, the Palladion d'Hermès introduced a new line of home objects: a centerpiece, a jug, and vases in hammered palladium-plated metal combined with lizard, leather, horsehair, and cassia wood. Named after Pallas Athena, the pieces draw on the figure of the goddess as a protective talisman. The silversmith's hammer marks every surface, capturing light differently from every angle.


    The plaids are the quietest piece in the collection and the most labor-intensive. Hand-woven in Nepal from cashmere. Sometimes threaded with linen, they begin with a reserve dyeing technique to protect certain areas of the fabric while color saturates the rest. The result is a surface where tone shifts subtly across the weave. Controlled and deliberate. From there, the edges are bordered and the panels assembled using needle embroidery, a finishing gesture that requires as much skill as the weaving itself. Featherlight in the hand, dense in meaning. A testament to Hermès' savoir-faire signature.


    Shop the Hermès Maison Milan Design Week Collection

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